By selecting the 'Susbcribe & Save' option you are enrolling in an auto-renewing subscription of Zookal Study Premium. Cancel at anytime.
Auto-Renewal
Your Zookal Study Premium subscription will be renewed each month until you cancel. You consent to Zookal automatically charging your payment method on file $19.99 each month after 1st month free period until you cancel.
How to Cancel
You can cancel your subscription anytime by visiting Manage account page, clicking "Manage subscription" and completing the steps to cancel. Cancellations take effect at the end of the 1st month free period (if applicable) or at the end of the current billing cycle in which your request to cancel was received. Subscription fees are not refundable.
Zookal Study Premium Monthly Subscription Includes:
Ability to post up to ten (10) questions per month.
20% off your textbooks order and free standard shipping whenever you shop online at
textbooks.zookal.com.au
Unused monthly subscription benefits have no cash value, are not transferable, and expire at the end of each month. This means that subscription benefits do not roll over to or accumulate for use in subsequent months.
Payment Methods
Afterpay and Zip Pay will not be available for purchases with Zookal Study Premium subscription added to bag.
$1.00 preauthorisation
You may see a $1.00 preauthorisation by your bank which will disappear from your statement in a few business days..
Email communications
By adding Zookal Study Premium, you agree to receive email communications from Zookal.
Music for the Common Man: Aaron Copland during the Depression and War is the first sustained attempt to understand some of Copland's best known music in the context of leftwing social, political, and cultural currents of the Great Depression and Second World War. In the 1930s Aaron Copland began to write in an accessible style he called "imposed simplicity." Works like El Salón México, Billy the Kid, Lincoln
Portrait, and Appalachian Spring not only brought the composer unprecedented popular success but also came to define an American sound. Yet the political alignment behind this musical idiom--the social agenda that might be heard within
these familiar pieces--has been largely overlooked, even though it has long been acknowledged that Copland subscribed to leftwing ideals. His politics never merely accorded with mainstream New Deal liberalism or wartime patriotism, however, but advanced a progressive vision of American society and culture. His music from the thirties and forties relates to the politics of radical progressivism, which affirmed a fundamental sensitivity toward those less fortunate, support
of multiethnic pluralism, belief in social democracy, and faith that America's past could be put in service of a better future. Investing symbols of America--whether the West, folk song, patriotism,
or the people--with progressive social ideals, Copland's music wrestles with the political complexities and cultural contradictions of the era.