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Art and Abstract Objects presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is that they are concrete--material, causally efficacious, located in space and time. In contrast, artworks such as novels, poems, plays, operas, films, symphonies are more often thought to
be abstract--immaterial, causally inert, outside space-time. This volume examines how philosophical enquiry into art might itself productively inform or be productively informed by enquiry into abstracta taking place
within not just metaphysics but also the philosophy of mathematics, epistemology, philosophy of science, and philosophy of mind and language. A team of contributors provide a methodological blueprint from which scholars working both within and beyond philosophy of art can begin building responsible, mutually informative, and productive relationships between their respective fields.